In a Hardtalk Extra interview broadcast on Friday 21st October, Tom Brook talks to one of
In a Hardtalk Extra interview broadcast on Friday 21st October, Tom Brook talks to one of India's best known personalities, Bollywood star Aishwarya Rai.
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n a Hardtalk Extra interview broadcast on Friday 21st October, Tom Brook talks to one of I
n a Hardtalk Extra interview broadcast on Friday 21st October, Tom Brook talks to one of India's best known personalities, Bollywood star Aishwarya Rai.
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In a Hardtalk Extra interview broadcast on Friday 21st October, Tom Brook talks to one of
In a Hardtalk Extra interview broadcast on Friday 21st October, Tom Brook talks to one of India's best known personalities, Bollywood star Aishwarya Rai.
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Anupama Chopra, Consulting Editor, Films
Thursday, May 15, 2008:
Watch story (Cannes
Anupama Chopra, Consulting Editor, Films
Thursday, May 15, 2008:
Watch story (Cannes):
The Cannes International Film Festival, the most glamorous event on the festival calendar has returned to celebrate its 61st year. The festival opened on Wednesday with a Fernando Meirelles's grim Brazilian drama Blindness. This year's star lineup offers a mix of new talent.
But the festival is devoid of Indian cinema, except for Dev Anand's Guide which is a part of the Classics section.
No other Indian film has made it to the competitive or non-competitive categories but a host of Bollywood stars are expected at the festival.
Aishwarya Rai was the first to grace the red carpet at Cannes. NDTV's Consulting Editor, Films, Anupama Chopra caught up with the pretty lady.
Anupama: In the past five years you have become the most constant connect with the Cannes film festival but Bollywood is already a thriving global film industry. So, why do we need to pay attention to this space?
Aishwarya: Having come here many a times, I have developed a kind of fantastic rapport with the people at this festival.
I genuinely bond with the people, the place and the festival. And yes, each year I am asked this question by the media. I feel, as a member of our film fraternity it will be fantastic to have representation here in Cannes too. But I don't think that should be used as a barometer to judge what we have or to lament. It could be an ambition. After all its is an individual choice. The filmmakers decide the need for a movie to be part of 'A' festival or be it the Cannes itself.
It happened with couple of my films, earlier the filmmakers had aspired to have the screening or the premiere here. But because the event is held in May it is more in their (filmmakers) interest to release the movie earlier in the year because Cannes doesn't screen a released movie. Like what happened with Ritu's (Rituparno Ghosh) movies for example Chokher Bali and Raincoat had both released earlier they couldn't come here. I am aware of the discussions with Jodhaa Akbar too. At the end of the day what happens is for good only and I am happy the way Jodhaa Akbar has been received. So may be some other time.
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Mumbai: Here is a look at what Aishwarya Rai Bachchan — a hot favourite at Cannes Film Fes
Mumbai: Here is a look at what Aishwarya Rai Bachchan — a hot favourite at Cannes Film Festival for the last seven years — is doing there this year.
Published on Thu, May 15, 2008 at 02:46 in Entertainment section
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aishwarya rai - Ain't no sunshine when she's gone a fan work from 2003
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Aishwarya rai L'Oreal Lash Architect Carbon Gloss
looking sexy
HD video at
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Cast: Aishwarya Rai, Miranda Richardson, Nandita Das
Direction: Jagmohan Mundhra
Set
Cast: Aishwarya Rai, Miranda Richardson, Nandita Das
Direction: Jagmohan Mundhra
Set in London and based on a real-life story, director Jag Mundhra's film Provoked stars Aishwarya Rai as a battered Punjabi housewife and mother of two.
Aishwarya plays the role of Kiranjit Ahluwalia, who sets her brutish husband on fire after suffering 10 years of abuse at his hands. Charged with first-degree murder when her husband succumbs to his wounds, Kiranjit is sentenced to life imprisonment.
Despite evidence of repeated abuse, the law doesn't allow her to claim self-defense as her husband was asleep when Kiranjit set him on fire.
In prison, it's with the help of a fellow inmate Ronnie, played by veteran British actress Miranda Richardson, that Kiranjit picks up the pieces of her life and learns to stand up to bullies.
Meanwhile, Nandita Das playing a female activist with The Southhall Black Sisters, a support group committed to helping victims of abuse, takes up her cause and persuades Kiranjit to make an appeal.
A little over three years after her arrest, Kiranjit is finally freed by the British judicial system in a landmark case that redefined the word "provocation" in the case of battered women.
Despite its many shortcomings, Provoked is engaging till its very end because it's such a dramatic story and because it avoids over-sentimentality, a trap that most films of this genre invariably fall into. Thankfully, we're spared all the Bollywood-style chest-beating and the shameless tugging at heart-strings that most Hindi films of this kind indulge in.
So, even though there are scenes in which Kiranjit begs to be united with her sons, there's none of that 'I'll-die-without-them' drama. That's not to say the script is all perfect, in fact it's far from it actually.
Mundhra wastes too much time setting up those courtroom scenes, and there's little need to go into the back-stories of every inmate in that prison. Instead it might have helped if the character of Kiranjit's husband had been more fleshed out.
One moment you see he's surprising his pregnant wife with their new suburban home. Next thing you know, he's bashing her up and thrashing her around for no fault of hers.
Also, attributing his violent mood swings and his promiscuous lifestyle to his drinking habit is a little too convenient on the director's part.
In terms of production value, Provoked comes of looking like one of those filmed-in-your-backyard TV movies, and to be completely honest, Mundhra's direction is too basic, almost too amateurish to be taken seriously. But because it's entirely honest and well intended you're willing to overlook many of these flaws.
Instead, you're moved by those tender moments between Kiranjit and Ronnie, her protective new friend in prison. You're stung by the sense of empty loneliness that you see in Kiranjit's eyes even after she's released from prison.
In all honesty, Provoked wouldn't work if it wasn't for two performances that uplift the film considerably. Miranda Richardson plays Ronnie as a tought-but-tender woman who befriends Kiranjit when she's falling apart. It's Richardson who provides some of the film's most memorable moments, like the one in which she responds to Kiranjit's bear-hug with a comic line.
Of course, the real star of Provoked is Aishwarya Rai who delivers a performance that is appropriately restrained. I haven't exactly been a big fan of Aishwarya's acting, but I'll say here, she surprises you with what she strums up.
It's a performance that penetrates into your consciousness because she plays it with a slow-burning passion rather than an all-out flourish. This is easily one of her better acting jobs.
The film works because it's not preachy and it doesn't take itself too seriously. So I'll go with three out of five for Jag Mundhra's Provoked. It's a sensitive film about domestic abuse. It's not a great film by any standards but it's well intended and it goes about its job with sincerity, and sometimes, just sometimes, that's enough.
Rating: (Good)
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