MONET - VIRTUAL GALLERY - - RAIN SONG - LED ZEPPELIN....PLEASE ENJOY HIS ART AND SUBSCRIBE
MONET - VIRTUAL GALLERY - - RAIN SONG - LED ZEPPELIN....PLEASE ENJOY HIS ART AND SUBSCRIBE TO MY CHANNEL FOR I WILL BE CREATING MORE ART GALLERYS FOR YOU TO ENJOY.
(más)
(menos)
Añadido: hace 1 año
Reproducciones: 8438
René François Ghislain Magritte (November 21, 1898 -- August 15, 1967) was a Belgian surre
René François Ghislain Magritte (November 21, 1898 -- August 15, 1967) was a Belgian surrealist artist. He became well known for a number of witty and amusing images.
Magritte was born in Lessines, Belgium in 1898, the eldest son of Léopold Magritte, a tailor, and Adeline, a milliner. He began drawing lessons in 1910. In 1912, his mother committed suicide by drowning herself in the River Sambre. Magritte was present when her body was retrieved from the water. The image of his mother floating, her dress obscuring her face, may have influenced a 1927-1928 series of paintings of people with cloth obscuring their faces, including Les Amant, but Magritte disliked this explanation. He studied at the Académie Royale des Beaux-Arts in Brussels for two years until 1918. In 1922 he married Georgette Berger, whom he had met in 1913. Magritte worked in a wallpaper factory, and was a poster and advertisement designer until 1926 when a contract with Galerie la Centaure in Brussels made it possible for him to paint full-time. In 1926, Magritte produced his first surreal painting, The Lost Jockey (Le jockey perdu), and held his first exhibition in Brussels in 1927. Critics heaped abuse on the exhibition. Depressed by the failure, he moved to Paris where he became friends with André Breton, and became involved in the surrealist group.
When Galerie la Centaure closed and the contract income ended, he returned to Brussels and worked in advertising. Then, with his brother, he formed an agency, which earned him a living wage.
During the German occupation of Belgium in World War II he remained in Brussels, which led to a break with Breton. At the time he renounced the violence and pessimism of his earlier work, though he returned to the themes later.
His work showed in the United States in New York in 1936 and again in that city in two retrospective exhibitions, one at the Museum of Modern Art in 1965, and the other at the Metropolitan Museum of Art in 1992.
Magritte died of pancreatic cancer on August 15, 1967 and was interred in Schaarbeek Cemetery, Brussels.
Popular interest in Magritte's work rose considerably in the 1960s, and his imagery has influenced Pop, Minimalist, and Conceptual art.In 2005 he came 9th in the Walloon version of De Grootste Belg (The Greatest Belgian); in the Flemish version he was 18th.
A consummate technician, his work frequently displays a juxtaposition of ordinary objects in an unusual context, giving new meanings to familiar things. The representational use of objects as other than what they seem is typified in his painting, The Treachery of Images (La trahison des images), which shows a pipe that looks as though it is a model for a tobacco store advertisement. Magritte painted below the pipe, This is not a pipe (Ceci n'est pas une pipe), which seems a contradiction, but is actually true: the painting is not a pipe, it is an image of a pipe. (In his book, This Is Not a Pipe, French critic Michel Foucault discusses the painting and its paradox.)
Magritte pulled the same stunt in a painting of an apple: he painted the fruit realistically and then used an internal caption or framing device to deny that the item was an apple. In these Ceci n'est pas works, Magritte points out that no matter how closely, through realism-art, we come to depicting an item accurately, we never do catch the item itself: we cannot smoke tobacco with a picture of a pipe.
His art shows a more representational style of surrealism compared to the "automatic" style seen in works by artists like Joan Miró. In addition to fantastic elements, his work is often witty and amusing. He also created a number of surrealist versions of other famous paintings.
René Magritte described his paintings by saying, My painting is visible images which conceal nothing; they evoke mystery and, indeed, when one sees one of my pictures, one asks oneself this simple question, 'What does that mean?'. It does not mean anything, because mystery means nothing either, it is unknowable.
Note:This is the new verision of the video I've posted some time ago.I think that more paintings are included and the quality of the video is better.
Magritte Foundation: www.magritte.be
(más)
(menos)
Añadido: hace 7 meses
Reproducciones: 8514
The Age of Rembrandt: Dutch Paintings in the Metropolitan Museum of Art with Philippe de M
The Age of Rembrandt: Dutch Paintings in the Metropolitan Museum of Art with Philippe de Montebello, Director of The Metropolitan Museum of Art.
Visit charlierose.com for the full interview
(más)
(menos)
Añadido: hace 7 meses
Reproducciones: 11269
|
The paintings of Claude Monet, and Claude Debussy
Añadido: hace 2 años
Reproducciones: 29229
Edouard Manet was born on January 23, 1832 in Paris In 1844-1848, Manet studied at the Col
Edouard Manet was born on January 23, 1832 in Paris In 1844-1848, Manet studied at the College Rollin, In 1848-49, he was trained as a sea cadet on a voyage to Brazil, but in April 1849 he failed his naval examinations and decided to switch to paintingHe entered the studio of Thomas Couture, where he studied for 6 years, between 1850 and 1856. In 1856, he took a long travel through Europe. ... (more)
(más)
(menos)
Añadido: hace 1 año
Reproducciones: 10645
Frederick Carl Frieseke American Impressionist Painter and the music of Schubert
Añadido: hace 1 año
Reproducciones: 1758
|
James Kalm travels to Denver to preview the Clyfford Still Museum with "Unveiled", Selecti
James Kalm travels to Denver to preview the Clyfford Still Museum with "Unveiled", Selections from the Estate. Twenty-seven years after the artist's death and three years after the agreement with the Denver Art Museum to undertake the Clyfford Still Museum project, the public is at last given an opportunity to view seminal works by this founding member of Abstract Expressionism. Displayed in the new Daniel Libeskind designed Frederic C. Hamilton Building, "Unveiled" provides a brief overview of Still's stylistic development from his early "Regionalist/Social Realism" to the mature abstractions with their signature "flame forms". With holdings of around 2400 works, of which only 10 percent have been seen by the public, the Clyfford Still Museum will no doubt become a must see destination for painting enthusiasts.
(más)
(menos)
Añadido: hace 11 meses
Reproducciones: 2246
The Pavane in F-sharp minor, opus number 50, was a composition for orchestra and optional
The Pavane in F-sharp minor, opus number 50, was a composition for orchestra and optional chorus written by the French composer Gabriel Fauré in 1887.
(We appreciate Wikipaedia's contributions in the descriptions here)
(más)
(menos)
Añadido: hace 10 meses
Reproducciones: 70245
Teens ask curator Joachim Pissarro about Picasso's painting Les Demoiselles d'Avignon as p
Teens ask curator Joachim Pissarro about Picasso's painting Les Demoiselles d'Avignon as part of Red Studio, MoMA's site for teens.
The Museum of Modern Art celebrates this painting in a special exhibition, Picasso's Demoiselles d'Avignon at 100, May 9--August 27, 2007.
For information about this exhibition, please visit http://www.moma.org. For more information about Red Studio, MoMA's site for teens, please visit http://www.moma.org/redstudio.
© 2007 The Museum of Modern Art, New York
(más)
(menos)
Añadido: hace 11 meses
Reproducciones: 43947
|