Video I made with Tom de Pekin for the parisian girls band "Flaming Pussy". Inspiration wo
Video I made with Tom de Pekin for the parisian girls band "Flaming Pussy". Inspiration would be a female hell's angels road movie meeting an horror Z movie. Long story short : lesbian motorbikers would do anything to free one of them kidnapped by skeletons.
C'est un projet musical mené par Golden Shower aka Christine Gun a commençé en 1993 à Montpellier avec son 1 er groupe de Punk Rock" Moonstruck"; guitariste chanteuse à la voix erraillée et inaudible, son groupe se constitue de 3 filles hystériques jouant une musique sixties à coup de riff tendus et energique; signé sur le label Allemand "ThunderBaby Records",elle ont gagné le Tremplin Rock de Montpellier en 1996.
En 1998 elle rejoint rejoint ses consoeurs de "X Syndicate", groupe de métal Féminin Parisien, en 2001 sortira "Up your Kilt" (Wagram} le 2éme album et participera à la BO du film Baise Moi.
En 2003, Christine Gun monte le groupe de filles "The Flaming Pussy" résidentes du club "Le Pulp" lors des soirées rock cultissimes " Dans mon Garage".
La musique de ce riot girl déjanté accompagne de nombreux court métrages de Tom de Pékin et aussi participe à la bo du film de Madame H.
En 2006 aprés de nombreux concerts, l'heure du studio a sonné pour vous donner le 1er album intitulé "Flaming Pussy Project".
http://www.flamingpussy.net/
http://chic-freak.blogspot.com
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Video I made with Tom de Pekin for the parisian girls band "Flaming Pussy". Inspiration wo
Video I made with Tom de Pekin for the parisian girls band "Flaming Pussy". Inspiration would be a female hell's angels road movie meeting an horror Z movie. Long story short : lesbian motorbikers would do anything to free one of them kidnapped by skeletons.
C'est un projet musical mené par Golden Shower aka Christine Gun a commençé en 1993 à Montpellier avec son 1 er groupe de Punk Rock" Moonstruck"; guitariste chanteuse à la voix erraillée et inaudible, son groupe se constitue de 3 filles hystériques jouant une musique sixties à coup de riff tendus et energique; signé sur le label Allemand "ThunderBaby Records",elle ont gagné le Tremplin Rock de Montpellier en 1996.
En 1998 elle rejoint rejoint ses consoeurs de "X Syndicate", groupe de métal Féminin Parisien, en 2001 sortira "Up your Kilt" (Wagram} le 2éme album et participera à la BO du film Baise Moi.
En 2003, Christine Gun monte le groupe de filles "The Flaming Pussy" résidentes du club "Le Pulp" lors des soirées rock cultissimes " Dans mon Garage".
La musique de ce riot girl déjanté accompagne de nombreux court métrages de Tom de Pékin et aussi participe à la bo du film de Madame H.
En 2006 aprés de nombreux concerts, l'heure du studio a sonné pour vous donner le 1er album intitulé "Flaming Pussy Project".
http://www.flamingpussy.net/
http://chic-freak.blogspot.com/
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Video by Mariah and Molly
Oh my God! Who does this song!?
Thats what freaked-out club-go
Video by Mariah and Molly
Oh my God! Who does this song!?
Thats what freaked-out club-goers run up and ask the DJ every time they play Dirty Sanchez. And who is Dirty Sanchez, you ask? A wildly popular West Coast phenomenon in the East Coast-dominated electroclash scene, thats who. The first song the group ever recorded, the futuristic tongue-in-ass-cheek Replicunt , was quickly snagged by electroclash superstar Larry Tee to be included on his definitive compilation BADD INC on Mogul Records. Their second song, Asymmetric - which turns an innocuous 80s fashion trend into a passionate new religion - is currently on the 3-CD compilation THIS IS ELECTROCLASH on Hypnotic Recordings. Their super-underground, not-available-anywhere hit F***ing On The Dance Floor has horny hipsters thrusting their fashionable pelvises on both coasts. And their dripping-wet cover of Sex Dwarf will soon be included in an upcoming Soft Cell tribute compilation by Cleopatra Records.
Formed in Los Angeles in 2001, Dirty Sanchez is...
JACKIE BEAT who sings the songs. Jackie Beat is many women and none at all. Jackie has appeared in tons of stage productions, TV shows, and movies. Miss Beat has also traveled all over the world wowing audiences with her velvet throat and razor-sharp comedy.
MARIO DIAZ who sings the songs, too. Before moving to Los Angeles, Mario Diaz was hailed as New Yorks King of Sleaze. The bi-coastal bad boy has thrown down n dirty dance parties that literally redefined the club scenes in Seattle, New York and L.A. such as Studio Filthy Whore, Cream, Hustler and Hot Dog. Mario was the creater and co-owner of the infamous East Village pit of sin, The Cock. Mario also thinks he's an actor and a model.
DJ BARBEAU who makes the music. Barbeau has spun at countless clubs across the country and has been creating music since he wore grungy flannel diapers back in Seattle in the 90s. Barbeau was a founding member of the deep house group, Tripoli, on fellow electro darlings Avenue D's new label Neverstop/Sweetmother Records. He was also in the more experimental Petronas Heights.
Together they are Dirty Sanchez.
http://www.wearedirtysanchez.com
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Lazër: The History of The Sons of Rhineland Immortalized by legions of adoring fans
Lazër: The History of The Sons of Rhineland Immortalized by legions of adoring fans around the world, it may be hard to believe that there was a time when the trio now known as Lazër were just three children in a Rhineland metal factory, laboring long hours in poor conditions for slave wages. However, this harrowing experience created a lasting bond between Briso, Hammel and Keinhorst; one which would help them persevere and eventually form the techno/hip-hop hybrid that has since topped music charts across the globe. Lazër struck the perfect balance with the monster dance single, "Lazër Party Countdown." Released in late 2004, the track received heavy airplay on European video and radio stations. The buzz eventually made its way stateside, where Lazër capitalized on this momentum by signing a record deal with Dallas-based Whale Voice Entertainment. However, in typical rock-n-roll fashion, this success has not come without a price. Shortly before departing Rhineland for America, a drug-related accident claimed the life of Keinhorst, leaving Briso and Hammel reeling and the future of the group in limbo. After deciding to continue as a duo, Lazër collaborated with musicians like King David and Ice von Shredula in hopes of filling some of the void their third member's passing left. The result is their debut album, Let Me Dance You, an aural autobiography of a group whose success was wrought of humble beginnings and a lifetime of struggle. While many will be immediately entranced by the album's numerous discotheque anthems, a more thorough listen provides insight into the essence of Lazër. Hardly a one-trick-pony, the record reveals details such as the circumstances surrounding Keinhorst's death, and even includes a ballad Briso and Hammel recorded in tribute to their fallen comrade. An auditory tour-de-force, Let Me Dance You is a testament to Lazër's indomitable will and the enduring power of sexiness in the face of hardship. As Briso put it, "We start off just three sexy children making metal. Now, Lazër is future of the future."
www.lazertheband.com
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Made for Ryan Junell's slo-mo video project, featuring a screwed-down excerpt from "Nothin
Made for Ryan Junell's slo-mo video project, featuring a screwed-down excerpt from "Nothing Special", amixtape bu super awesome wfmu dj Kenny G.
Bec Stupak is a one-woman video machine. The poster child of a burgeoning VJ movement, Video DJ Honeygun hit the pages of Artbyte in 2001, billed as the leader of a new generation of video performers. Since then, through founding Honeygun Labs, she's branched into a variety of video diversions - along the way garnering an award for Best Underground Music Video and a video remix for the Rolling Stones. Never quite comfortable being pigeonholed, she's leapt from the music video scene into the gallery art space, showing pieces at the Whitney Biennial and now working as an artist-in-residence at Eyebeam.
http://www.honeygunlabs.com/
http://www.deitch.com/projects/project_images.php?slideShowI d=263&projId=180
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Produced by Pleix. Sound Silent. 2002.
Pleix is a virtual community of digital artists
Produced by Pleix. Sound Silent. 2002.
Pleix is a virtual community of digital artists based in Paris. Some of us are 3D artists, some others are musicians or graphic designers. They made Birds for Vitalic, with the flying dogs, and Cish Cash for Basement Jaxx with the helicopters and tanks choregraphy.
"Geneviève Gauckler fait partie du collectif Pleix. De par la diversité de ses réalisations (pochette de disques, sites internet, BD, clips,publicités) elle symbolise bien l'esprit du collectif ? Comment s'est déroulé cette rétrospective commune en 2004 à la ferme du buisson ?
Très bien, nous avons tous eu beaucoup de plaisir à partager nos oeuvres avec un autre public. Cela nous a permis de repenser nos créations dans un autre contexte. Retrouver l'espace réel, s'adresser à des corps réels est justement essentiel dans ce monde virtualisé dans lequel nous évoluons. Faire des installations nous a permis de prendre le temps, d'encadrer l'instant d'un projet. Parfois de rendre plus perméable l'espace entre le monde réel et l' imaginaire."
http://www.pleix.net
With this first release, Bleip exceeds musical divisions and takes us in playfull and strange universe at once. +1 is a tense combination of deconstructed sounds, soft melodies and accidents that produces a mutant music. Bleip is also a member of Pleix collective.
"Le monteur de Pleix (Jean-Philippe Deslandes) est aussi musicien sous le nom de Bleip et est l'auteur de +1Ep sur le label Sound Silent. De quelle manière ses deux activités se rejoignent-elles ?
C'est souvent plus facile de travailler sur la vidéo et la musique en même temps. Tout est plus malléable... Avoir le choix de modifier soit les images soit le son pendant le montage nous donne une liberté que l'on à pas lorsque l'un de ces éléments est fixe et ne peut pas être modifié."
http://www.bleip.com/
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