Johann Sebastian Bach (1685 - 1750)
Orchestral Suite (Ouverture) No. 3 in D Major, mov.
Johann Sebastian Bach (1685 - 1750)
Orchestral Suite (Ouverture) No. 3 in D Major, mov. II - Air, BWV 1068
Composed by Johann Sebastian Bach in 1717, during his years in Köthen, Germany.
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Tritt auf die Glaubensbahn BWV 152 - 6
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Ludwig Van Beethoven, Symphony No 9 in D Minor "Choral" Op. 125, Part II, "Ode to Joy", "O
Ludwig Van Beethoven, Symphony No 9 in D Minor "Choral" Op. 125, Part II, "Ode to Joy", "Oda a la alegría", "ode an die freude":
DIE BERLINER PHILHARMONIKER ORCHESTER
CONDUCTOR: Claudio Abbado
SOLIST: Karita Mattila: Soprano (Finland), Violeta Urmanavičiūtė Mezzo-Soprano (Lithuania) Thomas moser Tenor (United States) Eike Wilm Schulte, Bass (really Baríton) (Germany)
Swedish radio choir
Eric ericson chamber choir
Chorus master: Tonu kaljuste
MOVEMENT IV PART II:
IV_ Alla Marcial, Aria für Tenor und Orchester " Froh, wie seine Sonnen", 00:01min-02:59min:
Tenor:
Froh!, wie seine Sonnen fliegen
Durch des Himmels prächtgen Plan,
Laufet, Brüder, eure Bahn,
Freudig wie ein Held zum Siegen.
Chor masculine und Tenor
Laufet, Brüder, eure Bahn,
Freudig wie ein Held zum Siegen.
V_ Allegro Vivace Assai, Choral "Freude, schöner Götterfunken", 03:00min- 03:46min:
Chor complete:
Freude, schöner Götterfunken
Tochter aus Elysium,
Wir betreten feuertrunken,
Himmlische, dein Heiligtum.
Deine Zauber binden wieder,
Was die Mode streng geteilt;
Alle Menschen werden Brüder,
Wo dein sanfter Flügel weilt.
VI_ Andante Maestoso, Choral "Seid umschlungen, Millionen!", 03:47min-05:45min:
Chor Masculine:
Seid umschlungen, Millionen!
Diesen Kuss der ganzen Welt!
Chor Complete:
Seid umschlungen, Millionen!
Diesen Kuss der ganzen Welt!
Chor masculine:
Brüder, überm Sternenzelt
Muss ein lieber Vater wohnen.
Ihr stürzt nieder, Millionen?
Chor female:
Brüder - überm Sternenzelt
Muss ein lieber Vater wohnen.
Ihr stürzt nieder, Millionen?
VII_ Adagio Ma Non Troppo, Ma Divoto, Choral "Ahnest du den Schöpfer, Welt?", 05:46min-06:58min:
Chor Complete:
Ahnest du den Schöpfer, Welt?
Such ihn überm Sternenzelt,
Über Sternen muss er wohnen.
Last complete symphony of my dear German composer (since beethoven his reached to Sketch your tenth symphony), and which is very important for the transformations of the music that Beethoven achieved, simultaneously, that it corresponds to one of the summits of the history of the humanity in the music and the art. Specially his fourth movement is very recognized by the whole humanity and has turned into an anthem to the freedom, equality and brotherhood that beethoven was trying getting in all your works, specially your symphonies. Nowadays it is the anthem of the European Union, from 1986. premiere on May 7, 1824 in the theatre of porta carinzia, in Wien, Österreich, under the direction of ignaz schuppanzigh, completed between the year 1822 and 1824 and dedicated to Federico guglielmo III king of Prussia.
The Symphony is scored for, two Flutes, two Oboes,Oboe Piccolo (in the fourth movement only) two Clarinets in A, B flat and C, two Bassoons, Contrabassoon (in the fourth movement only), two Horns (I and II) in D and B flat, two Horns (III and IV) in B flat (Bass), B flat and E flat, two Trumpets in D and B flat, three Trombones (Alto, Tenor, and Bass, second and fourth movements only), Timpani, Triangle (fourth movement only), Cymbals (fourth movement only), Bass drum (fourth movement only), and Strings.
The vocal parts consist of Soprano, Mezzo-Soprano, Tenor, Bass (In occasions Bariton), and Choir in four parts (Soprano,Mezzo-Sorprano, Tenor (divided briefly into Tenor I and Tenor II) and Bass).
These are by far the largest forces needed for any Beethoven Symphony; at the premiere, Beethoven augmented them further by assigning two players to each wind part.
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J. S. Bach
Cantata BWV 147
Herz und Mund und Tat und Leben.
Eng: Heart and mouth and de
J. S. Bach
Cantata BWV 147
Herz und Mund und Tat und Leben.
Eng: Heart and mouth and deed and living.
Spa: Corazón y boca y actos y vida.
Composed in Leipzig, 1723.
Cantata for the Visitation of the Blessed Virgin Mary.
Readings: Epistle: Isaiah 11: 1-5; Gospel: Luke 1: 39-56
Concentus Musicus Vienna.
Arnold Schoenberg Choir.
Nikolaus Harnoncourt, conductor.
Ian Bostridge, tenor.
VII. Aria. [Second Part]
Hilf, Jesu, hilf, dass ich auch dich bekenne
In Wohl und Weh, in Freud und Leid,
Dass ich dich meinen Heiland nenne
Im Glauben und Gelassenheit,
Dass stets mein Herz von deiner Liebe brenne.
English:
Help, Jesus, help both that I may confess thee
In health and woe, joy and grief,
And that I may my Savior call thee
In steadfast faith and confidence,
That e'er thy love within my heart be burning.
Español:
Ayúdame, Jesús, ayúdame
para que también pueda reconocerte
en la prosperidad y la aflicción,
en la alegría y la tristeza,
para que pueda llamarte mi Salvador
en la fe y el sosiego,
para que mi corazón siempre pueda
arder con tu amor.
www.bach-cantatas.com
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J. S. Bach
Cantata BWV 147
Herz und Mund und Tat und Leben.
Eng: Heart and mouth and de
J. S. Bach
Cantata BWV 147
Herz und Mund und Tat und Leben.
Eng: Heart and mouth and deed and living.
Spa: Corazón y boca y actos y vida.
Composed in Leipzig, 1723.
Cantata for the Visitation of the Blessed Virgin Mary.
Readings: Epistle: Isaiah 11: 1-5; Gospel: Luke 1: 39-56
Concentus Musicus Vienna.
Arnold Schoenberg Choir.
Nikolaus Harnoncourt, conductor.
VI. Choral.
Wohl mir, dass ich Jesum habe,
O wie feste halt ich ihn,
Dass er mir mein Herze labe,
Wenn ich krank und traurig bin.
Jesum hab ich, der mich liebet
Und sich mir zu eigen gibet;
Ach drum lass ich Jesum nicht,
Wenn mir gleich mein Herze bricht.
English:
Blest am I that I have Jesus,
Oh, how firmly I hold him,
That he bring my soul refreshment
When I'm ill and filled with grief.
I have Jesus, who doth love me
And himself to me entrusteth;
Ah, I'll hence leave Jesus not,
Even though my heart should break.
Español:
Feliz soy, pues tengo a Jesús,
oh, con qué fuerza me aferro a Él
para que consuele mi corazón
cuando estoy débil y triste.
Tengo a Jesús, que me ama
y se me entrega como algo mío;
ah, así, no quiero abandonar a Jesús
aunque mi corazón se rompa.
www.bach-cantatas.com
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Marinari_Placido é il mar;Andiamo,tutto ci rassicura,felice avrem ventura,su,su partiamo o
Marinari_Placido é il mar;Andiamo,tutto ci rassicura,felice avrem ventura,su,su partiamo or or! Elettra_Soavi zeffiri soli spirate,del freddo borea l'ira clamate,d'aura piacevole cortesi siate,se da voi spargesi per tutto amor.
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To our mother earth, mother of the mankind.
JOHANN SEBASTIAN BACH Kantate BWV 11 "Lobe
To our mother earth, mother of the mankind.
JOHANN SEBASTIAN BACH Kantate BWV 11 "Lobet Gott in seinen Reichen" choral "Wenn soll es doch geschehen"
Johann Sebastian Bach´s work for Tromba I-III, Tamburi, Flauto traverso I and II, Oboe I and II, Violino I and II, Viola and Continuo.
Wenn soll es doch geschehen,
Wenn kömmt die liebe Zeit,
Dass ich ihn werde sehen,
In seiner Herrlichkeit?
Du Tag, wenn wirst du sein,
Dass wir den Heiland grüßen,
Dass wir den Heiland küssen?
Komm, stelle dich doch ein!
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J. S. Bach
Cantata BWV 61
Nun komm, der Heiden Heiland
Eng: Now come, the gentiles' Sav
J. S. Bach
Cantata BWV 61
Nun komm, der Heiden Heiland
Eng: Now come, the gentiles' Savior.
Spa: Ven ahora, Salvador de los gentiles.
Composed in Weimar, 1734.
Concentus Musicus Vienna.
Arnold Schoenberg Choir.
Nikolaus Harnoncourt, conductor.
Ian Bostridge, tenor.
III. Aria.
Komm, Jesu, komm zu deiner Kirche
Und gib ein selig neues Jahr! Befördre deines Namens Ehre, Erhalte die gesunde Lehre Und segne Kanzel und Altar!
English:
Come, Jesus, come to this thy church now
And fill with blessing the new year! Advance thy name in rank and honor, Uphold thou ev'ry wholesome doctrine, The pulpit and the altar bless!
Español:
Ven, Jesús, acude a tu iglesia
Y concédenos un feliz año nuevo!
Propaga la gloria de tu nombre,
Preserva las buenas enseñanzas
Y bendice el púlpito y el altar!
www.bach-cantatas.com
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This video is my second in a series which will feature various classical pieces of relativ
This video is my second in a series which will feature various classical pieces of relative obscurity. I hope to showcase these pieces with an appropriate slideshow that will hopefully display how speacial these compositions are.
The previous video in my series:
http://www.youtube.com/watch?v=QY1PCPfnSEA
This "Dixit Dominus" by Antonio Vivaldi is a mass setting that has been eclipsed in popularity by his more famous "Gloria". I haven't been able to find much info on this setting (I don't know what the english translation is), and like Vivaldi's "Magnificat" I think it is not nearly as famous as it should be. Most of the piece contains various solo arias with a couple of full choir movements. This is also the only video featuring this piece on youtube. The movement played here "Sicut Erat in Principio" and is the last movement of the work. I think it is one of Vivaldi's greatest, maybe even the greatest.
I've set the music to a slideshow featuring various images of Michelangelo's frescos in the Sistine Chapel. It is performed by the Academy of Ancient Music.
*UPDATE*
Latin words:
"Sicut erat in principio, et nunc et semper, et in saecula saeculorum"
*UPDATE*
English translation
"As it was in the beginning, is now and ever shall be, world without end.
Amen."
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